Kathy Hall

Fellow’s Profile

Kathy Hall

Fellow’s Profile

Kathy Hall

Chinese Kun opera

Fellowship

Themes

Countries

Fellowship year

2004

Locality

London

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Biography

I am a self-employed teacher, presenter and promoter of Chinese opera – the Peking opera and Kunqu opera varieties.

The topic of my Fellowship was Kunqu opera. The purpose was to further my Kunqu performance skills in Hangzhou, China, under Wang Fengmei, the renowned actor of the Refined Young Lady Role, typified by the virtuoso solo scene, In Pursuit of the Dream from the Ming Dynasty classic, The Peony Pavilion. Ms Wang is unparalleled in her fine interpretation of the role with unaffected elegance and in-depth understanding of the text. Her portraiture is a legacy to be passed on.

Since my return, I have performed the scene publicly in part or whole over 40 times across the UK, six times at the Venice Biennale Theatre Carnival 2006, and in Malta at the invitation of the Chinese Cultural Centre Malta and Heritage Malta the same year. I have taught the role to Chinese and British students in opera classes. Two of my students have learnt the role to performance level, and I have presented them publicly. One is a young British man who, as far as I know, is the first British 'Dan' in our fine tradition.

The Fellowship has taken my own learning to a higher level.

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Activity

editorial

June 2023 Fellow's update: Kathy Hall

Self-employed teacher, presenter and promoter of Chinese opera, Kathy Hall (CF 2004) focused her Fellowship on Kunqu opera, so that she could further her Kunqu performance skills in Hangzhou, China. Kathy was invited by the British Museum to perform an excerpt from the Peking Opera, The Imperial Concubine Intoxicated -The Hundred Flowers Pavilion on June 9 2023 at the close of the 2-day Conference: China's 1800s -Material and Visual Culture. In the same evening, Kathy performed an excerpt from the Kunqu Opera, The Palace of Eternal Youth - the Intimate Feast. This was an informative comparison and contrast between the two major Chinese Opera genres in music, singing, and movements.

By Kathy Hall, 2023

Disclaimer

All Reports are copyright © the author. The moral right of the author has been asserted. The views and opinions expressed by any Fellow are those of the Fellow and not of the Churchill Fellowship or its partners, which have no responsibility or liability for any part of them.

video
In order to watch this video you will need to accept marketing cookies.

Activity

editorial

June 2023 Fellow's update: Kathy Hall

Self-employed teacher, presenter and promoter of Chinese opera, Kathy Hall (CF 2004) focused her Fellowship on Kunqu opera, so that she could further her Kunqu performance skills in Hangzhou, China. Kathy was invited by the British Museum to perform an excerpt from the Peking Opera, The Imperial Concubine Intoxicated -The Hundred Flowers Pavilion on June 9 2023 at the close of the 2-day Conference: China's 1800s -Material and Visual Culture. In the same evening, Kathy performed an excerpt from the Kunqu Opera, The Palace of Eternal Youth - the Intimate Feast. This was an informative comparison and contrast between the two major Chinese Opera genres in music, singing, and movements.

By Kathy Hall, 2023

Disclaimer

All Reports are copyright © the author. The moral right of the author has been asserted. The views and opinions expressed by any Fellow are those of the Fellow and not of the Churchill Fellowship or its partners, which have no responsibility or liability for any part of them.

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