Writing/Creating Total Dark UK Exhibition, investigating existing Asian examples
By Lynn Cox, 2021
Fellow’s Profile
Fellow’s Profile
Writing/creating Total Dark UK exhibition, investigating existing Asian examples
I'm the instigator of Diving into Darkness, which is a coaching and training project occurring in complete darkness. I use my lived experience of being a blind person who has embraced darkness within other artistic, coaching and training settings. I'm also a writer, with a chapter titled Coaching Disabled People in a book, and I'm currently writing my own coaching book, articles and audio descriptions. My work is centred on inclusion, equality and access for people with disabilities and visually impaired (VI) people.
My 2013 Fellowship in Asia was to investigate how darkness can be used as an empowerment tool for educational, corporate training and themed tour experiences. Since the Fellowship I've trained VI trainers and guides around the world, including Saudi Arabia, the UK and Kenya. Currently, I'm writing a script, and training VI guides, for a temporary sensory challenge in the dark at Waterloo, London.
The Fellowship gave me a worldwide view of darkness and the time to consolidate this into my arts practice, providing opportunities for other people with disabilities within the arts and beyond. It also enabled me to make international connections.
Artist Lynn Cox (CF 2013) launched her first solo exhibition, entitled ‘Wirelife’, at Delta House Studios Gallery in London. Lynn’s Fellowship explored Asian approaches to exhibitions for people who are visually impaired.
By Lynn Cox, 2022
All Reports are copyright © the author. The moral right of the author has been asserted. The views and opinions expressed by any Fellow are those of the Fellow and not of the Churchill Fellowship or its partners, which have no responsibility or liability for any part of them.
Artist Lynn Cox (CF 2013) launched her first solo exhibition, entitled ‘Wirelife’, at Delta House Studios Gallery in London. Lynn’s Fellowship explored Asian approaches to exhibitions for people who are visually impaired.
By Lynn Cox, 2022
All Reports are copyright © the author. The moral right of the author has been asserted. The views and opinions expressed by any Fellow are those of the Fellow and not of the Churchill Fellowship or its partners, which have no responsibility or liability for any part of them.